Władysław Strzemiński [20]

Władysław Strzemiński (1893-1952)

Subject: Polish Painters of the Turn of 19th and 20th Centuries
Face value: 20 pln
Alloy: 925/1000 Ag
Dimensions: 40x28 mm
Weight: 28.28 g
Finish: proof
Mintage: 100000 pcs
On the edge: smooth
Additional: pad printing
Date of issue: 2009-12-07
Issue price: 121 pln
Against Władysław Strzemiński's 1929 'The Composition of Space', on the left-hand side a stylized image of the profile of Władysław Strzemiński and on the right-hand side, a stylized image of a palette and three brushes. On the palette there are red, yellow, green and blue paints. Underneath, an inscription 1893-1952. At the top, an inscription, WŁADYSŁAW STRZEMIŃSKI. At the bottom, an inscription, WŁADYSŁAW STRZEMIŃSKI, written with characters designed by the artist.

Designer: Ewa Tyc-Karpińska
On the left-hand side, a stylized image of Władysław Strzemiński's 1934 'Unistic Composition 13'. At the bottom and on the right-hand side, an image of the Eagle established as the State Emblem of the Republic of Poland. Around the Eagle, an inscription, 20 ZŁ and after a separator dot, an inscription, RZECZPOSPOLITA POLSKA (Republic of Poland) and the notation of the year of issue, 2009. The Mint's mark, M/W, under the Eagle's left leg.

Designer: Ewa Tyc-Karpińska

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Article linked with this coin

Władysław Strzemiński

Władysław Strzemiński (1893-1952) is ranked among leading avant-garde artists. Details of his biography make up an entirely extraordinary personality. After he had graduated from St. Petersburg's Military College of Engineering, he fought in World War I and eventually lost his left arm, right leg and suffered an eye injury. When in hospital, he met Katarzyna Kobro, his future wife and an outstanding sculptress, and under her influence he took an interest in art. However, he never completed any course in the visual arts, with the exception of a brief spell in a newly-opened school in Moscow, where he attended classes. In Moscow, he got to know representatives of the radical Russian avant-garde, with whom he was in touch in subsequent years and whose work he ...

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